It's fun to periodically stop by one's old haunts and see what the updates are. Case in point: Solid & Etc, a lovely Hellsing fanart site. With lots of fun, violent, beautiful, and twisted fanart on it. And sometimes all of those at once, which certainly seems appropriate for a manga/anime like Hellsing, which likewise manages all four at various times.
Though one must sometimes be careful clicking around the site. Content can get just as questionable as Hellsing does. Possibly more (Hellsing itself can get rather questionable, after all).
The extremity of my obsession with Hellsing has long since faded; I'm not up on the manga or the anime releases. In fact, I don't know particularly much about either. And I no longer go by Solid & Etc once a week for the latest pic. However, this is in a way nice because when I do go back, I get to shuffle through a lot of pics.
And even back in the day, I've never been able to resist the urge to poke fun at Hellsing. The manga certainly has a sense of humor about what it is, a humor that matches it perfectly, bizarrely enough. Hellsing is difficult to classify and difficult to describe, and I think that's one of the reasons I've always liked it.
Oh, and because Integral pwns. EVERYONE.
Be aware that, despite my irreverance, this is one of my favorite fansites anywhere.
( And now, for no other reason than because I feel like doing it, my somewhat silly and definately spoiler-ish (though bear in mind I'm about two years out of date, myself) commentary on some of the Solid & Etc Hellsing gallery! Severely questionable content and humor from here on in! )
Though one must sometimes be careful clicking around the site. Content can get just as questionable as Hellsing does. Possibly more (Hellsing itself can get rather questionable, after all).
The extremity of my obsession with Hellsing has long since faded; I'm not up on the manga or the anime releases. In fact, I don't know particularly much about either. And I no longer go by Solid & Etc once a week for the latest pic. However, this is in a way nice because when I do go back, I get to shuffle through a lot of pics.
And even back in the day, I've never been able to resist the urge to poke fun at Hellsing. The manga certainly has a sense of humor about what it is, a humor that matches it perfectly, bizarrely enough. Hellsing is difficult to classify and difficult to describe, and I think that's one of the reasons I've always liked it.
Oh, and because Integral pwns. EVERYONE.
Be aware that, despite my irreverance, this is one of my favorite fansites anywhere.
( And now, for no other reason than because I feel like doing it, my somewhat silly and definately spoiler-ish (though bear in mind I'm about two years out of date, myself) commentary on some of the Solid & Etc Hellsing gallery! Severely questionable content and humor from here on in! )
I was thinking, as I so often do, about Emrys and Nghia, and thinking about the beginnings of their story. And I realized that their story really started in a cheap, drafty bar that clung to tenuous existence between the ruins of an age of heroes and the start of an age of civilization. That is the beginning of their story because Nghia used to go there and drink and argue with other proto-scholars, and it was there that he got the strange and rather silly notion into his head that the horribly evil Dragon Lords could be convinced to be good if only someone would go to the effort. Because in a sane, rational, and just universe in which everyone has free will and the gods are all good, no creature can just be evil.
Nghia had a whole lot of strange ideas back in those days. Among them the idea that any world to spring out of my and
lucifermourning's twisted imaginations could be sane, rational, or just.
So what's the true lesson behind an epic, world-spanning melodrama that explores issues of the darker side human nature, the relationship between love and hate, and the great questions of forgiveness and redemption, with a whole lot of star-crossed love thrown into the mix?
Alcohol and philosophy are a bad combination.
That's right, people. Nothing good will come of it! Don't drink and think!
Nghia had a whole lot of strange ideas back in those days. Among them the idea that any world to spring out of my and
![[livejournal.com profile]](https://www.dreamwidth.org/img/external/lj-userinfo.gif)
So what's the true lesson behind an epic, world-spanning melodrama that explores issues of the darker side human nature, the relationship between love and hate, and the great questions of forgiveness and redemption, with a whole lot of star-crossed love thrown into the mix?
Alcohol and philosophy are a bad combination.
That's right, people. Nothing good will come of it! Don't drink and think!
Tags:
Anyone who reads this journal knows by now that I don't really do the "random life updates" that are so common to livejournal. Political stuff and news articles? Yes. Travel writing? Yes. Introspection? Yes. Writings? Yes. Heavily disguised and confusing angst-rambles? Yes. Poetry postings? Yes. Photos? Yes. "This is what I did today and how my life is going"? Very, very rarely.
Well, why not?
I'm . . . not entirely certain. But it's not something that's unique to my livejournal, as you may well know if you talk to me in any medium outside it. I don't really talk about my everyday life much with other people-- not on the phone, not face-to-face, not in emails or letters or IM or whatever. Possibly because, as I live it every day, it doesn't seem particularly interesting to me, and hence I consider it even less interesting to other people.
I have often been accused of hypocrisy because, while I am disinclined to share the details of my existence, I am deeply interested in the details of my friends' and family's lives and insist on hearing about them. What no one seems to understand is that this is not hypocrisy, but two entirely different situations that do not bear comparison. Apples and oranges. The same goes for when I give advice to others that I do not follow myself. Firstly, your situation and mine are entirely different. Secondly, I fail to see how my failure to do what I should invalidates the fact that it should be done, by myself and by others.
. . . I suffer deeply from wordiness. All I wanted to say in the above is that I don't often do random life updates, but today I am!
School (work) has once again eaten my life. Obscurely this makes me happy-- I like nothing better than feeling that I'm needed and useful, and staying late and coming early and working constantly throughout the day fill me with contentment. I had a terrible time adjusting to spring vacation-- an entire month when I wasn't necessary at all! It was horribly depressing for the first week or so before I adjusted and kicked myself into pursuing my own projects, at which point I felt much better. I like to be busy, which is why I usually am. When I have nothing I'm supposed to be doing, I make things for myself to do.
Yes, I'm a workaholic. When a friend asked me to meet him during my lunch break, it took me a little while to remember that yes, I actually have one. Or I'm supposed to have one, anyway. Usually I just eat in about five minutes and go back to whatever I was doing.
So now I'm busy and happy to be so. Unfortunately, expending so much energy at school means that I have none left over for life details-- mental energy as much as physical. So for the past two weeks I've been going back to my apartment and either reading or playing video games until I fall asleep, usually without doing any cleaning or cooking or practicing or studying or emailing or writing or anything. It's not that I don't have time to do these things, it's just that they all seem to take too much effort and I'd rather sit around, thinking and doing not much at all.
Sometimes it seems like I'm a machine with only two settings: "go" and "dead."
Possible third setting: obsess over Yue. Because as I've said to
majochan, a real fangirl never dies, she just gets distracted by other shiny things for a while.
Other possible third setting: kick ass in Kingdom Hearts 2. I am totally ruling that game. Possibly because I take vicious joy in pulverising enemies with my Big Stick o' Poking and never run away from battles. And I have my Big Book o' Cheating to make sure I don't miss any items, too! But I missed one back in Twilight Town and I can't go back for it and you have no idea how much pain that hole in my items list causes me. Oh, and I think Sora's voice is teh awesome.
. . . this would be another reason why I don't do random life updates. I'd rather obsess over other things than my life. Sometimes when I talk to other people I'm astounded by just how much time and energy they devote to themselves. I don't mean that I think they're selfish or self-centered, just that . . . they ponder conversations they've had in minute detail, plan future ones, deeply analyze their interactions with others, ruminate over possibilities and choices, and expend a great deal of energy just in being themselves. It's not something that I really understand. Why obsess over my own problems? Will thinking about them make them go away or really change anything when I can't actively do something about them? Not really. So I just shrug, figure that things will work out eventually, and go on with whatever I'm doing.
Likewise I see no need to try to be myself-- whatever it is that I'm doing, or thinking, or whatever, that's myself. How could I do something that isn't me? How could I be someone that isn't me? It doesn't make sense at all. I can pretend to feel something I don't feel, but that's still me doing the pretending. I can say something I don't really mean, but that's still me doing the talking. As much as I enjoy and indulge in philosophical conversations about what makes us who we are, I don't feel particularly confused or upset about it myself.
. . . even when I try to do random life entries, I end up not doing them. Um. Today I had a first year class with Kodama-sensei, it went okay. Last night I played Kingdom Hearts 2 and had gyoza and toast and cheese and . . . um, something else I don't remember for dinner. Yesterday I had two classes with Nomura-sensei, which were a bit awkward because I don't have a pattern worked out with her yet. This weekend I'm going to see RENT. Next weekend I'm going whitewater rafting in Gifu, and that week is the recontracting conference in Kobe, and I really need to study more and practice more, and . . .
. . . and I'm very, very bored with this. Since I'm bored with this, you must be too. So. BACK TO WORK!!!
Well, why not?
I'm . . . not entirely certain. But it's not something that's unique to my livejournal, as you may well know if you talk to me in any medium outside it. I don't really talk about my everyday life much with other people-- not on the phone, not face-to-face, not in emails or letters or IM or whatever. Possibly because, as I live it every day, it doesn't seem particularly interesting to me, and hence I consider it even less interesting to other people.
I have often been accused of hypocrisy because, while I am disinclined to share the details of my existence, I am deeply interested in the details of my friends' and family's lives and insist on hearing about them. What no one seems to understand is that this is not hypocrisy, but two entirely different situations that do not bear comparison. Apples and oranges. The same goes for when I give advice to others that I do not follow myself. Firstly, your situation and mine are entirely different. Secondly, I fail to see how my failure to do what I should invalidates the fact that it should be done, by myself and by others.
. . . I suffer deeply from wordiness. All I wanted to say in the above is that I don't often do random life updates, but today I am!
School (work) has once again eaten my life. Obscurely this makes me happy-- I like nothing better than feeling that I'm needed and useful, and staying late and coming early and working constantly throughout the day fill me with contentment. I had a terrible time adjusting to spring vacation-- an entire month when I wasn't necessary at all! It was horribly depressing for the first week or so before I adjusted and kicked myself into pursuing my own projects, at which point I felt much better. I like to be busy, which is why I usually am. When I have nothing I'm supposed to be doing, I make things for myself to do.
Yes, I'm a workaholic. When a friend asked me to meet him during my lunch break, it took me a little while to remember that yes, I actually have one. Or I'm supposed to have one, anyway. Usually I just eat in about five minutes and go back to whatever I was doing.
So now I'm busy and happy to be so. Unfortunately, expending so much energy at school means that I have none left over for life details-- mental energy as much as physical. So for the past two weeks I've been going back to my apartment and either reading or playing video games until I fall asleep, usually without doing any cleaning or cooking or practicing or studying or emailing or writing or anything. It's not that I don't have time to do these things, it's just that they all seem to take too much effort and I'd rather sit around, thinking and doing not much at all.
Sometimes it seems like I'm a machine with only two settings: "go" and "dead."
Possible third setting: obsess over Yue. Because as I've said to
![[livejournal.com profile]](https://www.dreamwidth.org/img/external/lj-userinfo.gif)
Other possible third setting: kick ass in Kingdom Hearts 2. I am totally ruling that game. Possibly because I take vicious joy in pulverising enemies with my Big Stick o' Poking and never run away from battles. And I have my Big Book o' Cheating to make sure I don't miss any items, too! But I missed one back in Twilight Town and I can't go back for it and you have no idea how much pain that hole in my items list causes me. Oh, and I think Sora's voice is teh awesome.
. . . this would be another reason why I don't do random life updates. I'd rather obsess over other things than my life. Sometimes when I talk to other people I'm astounded by just how much time and energy they devote to themselves. I don't mean that I think they're selfish or self-centered, just that . . . they ponder conversations they've had in minute detail, plan future ones, deeply analyze their interactions with others, ruminate over possibilities and choices, and expend a great deal of energy just in being themselves. It's not something that I really understand. Why obsess over my own problems? Will thinking about them make them go away or really change anything when I can't actively do something about them? Not really. So I just shrug, figure that things will work out eventually, and go on with whatever I'm doing.
Likewise I see no need to try to be myself-- whatever it is that I'm doing, or thinking, or whatever, that's myself. How could I do something that isn't me? How could I be someone that isn't me? It doesn't make sense at all. I can pretend to feel something I don't feel, but that's still me doing the pretending. I can say something I don't really mean, but that's still me doing the talking. As much as I enjoy and indulge in philosophical conversations about what makes us who we are, I don't feel particularly confused or upset about it myself.
. . . even when I try to do random life entries, I end up not doing them. Um. Today I had a first year class with Kodama-sensei, it went okay. Last night I played Kingdom Hearts 2 and had gyoza and toast and cheese and . . . um, something else I don't remember for dinner. Yesterday I had two classes with Nomura-sensei, which were a bit awkward because I don't have a pattern worked out with her yet. This weekend I'm going to see RENT. Next weekend I'm going whitewater rafting in Gifu, and that week is the recontracting conference in Kobe, and I really need to study more and practice more, and . . .
. . . and I'm very, very bored with this. Since I'm bored with this, you must be too. So. BACK TO WORK!!!
Tags:
My dreams have been strange lately; the two that I remember from the past fortnight have been nightmares.
( My mind is a disturbing place. You might potentially regret clicking on this cut; do not if you don't want to hear about my horrible and extremely vivid dreams. )
Last night, after I got back from my lesson, I cooked, did dishes, cleaned my bathroom for two hours, took a shower, and then watched the first episode of Firefly. For some reason, I just didn't want to sleep.
( I really enjoyed Firefly, though. )
By the time I fell asleep, perhaps a half-hour after four, I was far too exhausted to remember my dreams.
And now a language joke, because I just found it:
Q: What does it mean if you're multilingual?
A: You speak several languages.
Q: What does it mean if you're bilingual?
A: You speak two languages.
Q: And what does it mean if you're monolingual?
A: You're an American.
( My mind is a disturbing place. You might potentially regret clicking on this cut; do not if you don't want to hear about my horrible and extremely vivid dreams. )
Last night, after I got back from my lesson, I cooked, did dishes, cleaned my bathroom for two hours, took a shower, and then watched the first episode of Firefly. For some reason, I just didn't want to sleep.
( I really enjoyed Firefly, though. )
By the time I fell asleep, perhaps a half-hour after four, I was far too exhausted to remember my dreams.
And now a language joke, because I just found it:
Q: What does it mean if you're multilingual?
A: You speak several languages.
Q: What does it mean if you're bilingual?
A: You speak two languages.
Q: And what does it mean if you're monolingual?
A: You're an American.
I just found out about these, and am linking to this person's lj links as a public service.
Here be Fullmetal Alchemist OVAs!
ph33r. For they are mighty.
Here be Fullmetal Alchemist OVAs!
ph33r. For they are mighty.
Last week I went on a three-day trip to Nikko.
First stop was Tokyo, since I had to pass through it in any case. I figured that, since I was there anyway, I might as well go to the Tokyo International Anime Festival, and so I took the subway out to the very modern bay area. The Festival was massively huge, with just about everyone in the Japanese anime business and a number in the international business represented by a booth. The bigger and more popular the company, the bigger and more popular the booth. Merchandise was not readily to be had, but a lot of people were handing out advertisements and various free promotionals. There were plenty of people dressed up as anime characters to represent the companies. There were also stage shows, most of which I didn't even bother to glance at due to my lack of Japanese (I was amused at the massive all-female crowd around the one promoting "All-Boy Love," which I wandered past. And dismayed by the presence of Spongebob Squarepants. I mean, Sesame Stree was there as well, and with less right, but why must American animation suck so horribly? I did see old X-Men clips playing on a screen somewhere, though. Clumsy character design and animation, but at least the stories were interesting and coherent). Certainly there was enough there for me to spend several hours wandering around, and I found out about many new and exciting upcoming productions. Really looking forward to some of them. And bought some stuff with which to bribe Majo, too. Overall it was a bit overwhelming, but I had a good time. Felt my lack of language skills most keenly, but I think that if I had been able to understand it would have been even more overwhelming.
Very excited about the next Studio Ghibli movie, oh yes.
Nikko was fun, as well. I went largely because my father's been bugging me to since I headed to Japan the first time, but once I was there I enjoyed it in its own right. The train trip out from Tokyo takes a good two hours, winding slowly through steadily growing mountains and small towns, winding through rural fields and tangled stretches of forest. Nikko is large enough to boast two stations, but it's at the terminus of both lines, and its economy largely seems dependant on tourism. For all that it's a good-sized town, splashed liberally along a sloped valley. Several broad peaks capped in snow rise tall behind it, as if the town were merely a stepping-stone on the path to the mountains.
Nikko is famous enough to be the basis of at least two Japanese idioms. One of these literally translates to "see Nikko and die," but the meaning is more "you haven't lived until you've seen Nikko," or perhaps "once you've seen Nikko, you can die fulfilled." Something like that. The other is "you can't say 'magnificent' until you've seen Nikko." Both are referring not simply to the town, but to the shrine complexes located there.
My concern upon arrival was not the shrines, but finding the youth hostel I was supposed to be staying at. It proved to be farther than I expected, naturally an uphill walk, but I arrived to fine weather and ( a remarkably clear view of the mountains. )
And saw, with a distinctly sureal feeling, a group of monkeys wandering around the back yards of the nearby houses. Perhaps a normal thing for quasi-rural Japan, but I'd never seen a monkey outside a zoo before, and so I paused to stare at them and take a picture. ( They were no more cooperative than zoo monkeys, but I managed. )
The youth hostel was small, but a clear sign pointed me off the main road down a tiny cement track that circled to an entrance that faced only a steep drop to the river below. Inside it was cluttered and felt very much like a home, and a kind older woman gave me my paperwork, accepted my money, and cheerfully showed me my room, my bed, and the bath downstairs, accompanied by explanations in broken but perfectly understandable English.
I started the next day's sightseeing early: breakfast, as is the norm for me whether I'm traveling or not, was bread from the local covenience store. I went to the tourist center first, just as they were opening, to aquire the cheaper combo-ticket to all of Nikko's sites (turned out they didn't sell it, but they were able to direct me to where it was), and to pick up the Walker's Guide mentioned in Lonely Planet. I then headed the rest of the way uphill towards the Daiya River. The Daiya is spanned by two bridges at this narrow point; one for cars and the other an arched red bridge, Shinkyo, once reserved for exclusive use of imperial messengers. Now it's reserved for those willing to pay 500 yen to walk across it; I am not one of those people, and was perfectly happy to take pictures of it from the road.
( The story of the bridge is that it was built at the exact place where two massive serpents carried the priest Shodo across in his journey to found his temple. I saw no serpants, but the bridge was pretty, and the water beneath it was a lovely blue-green color between those places it foamed and tossed among the rocks. )
To be continued . . .
First stop was Tokyo, since I had to pass through it in any case. I figured that, since I was there anyway, I might as well go to the Tokyo International Anime Festival, and so I took the subway out to the very modern bay area. The Festival was massively huge, with just about everyone in the Japanese anime business and a number in the international business represented by a booth. The bigger and more popular the company, the bigger and more popular the booth. Merchandise was not readily to be had, but a lot of people were handing out advertisements and various free promotionals. There were plenty of people dressed up as anime characters to represent the companies. There were also stage shows, most of which I didn't even bother to glance at due to my lack of Japanese (I was amused at the massive all-female crowd around the one promoting "All-Boy Love," which I wandered past. And dismayed by the presence of Spongebob Squarepants. I mean, Sesame Stree was there as well, and with less right, but why must American animation suck so horribly? I did see old X-Men clips playing on a screen somewhere, though. Clumsy character design and animation, but at least the stories were interesting and coherent). Certainly there was enough there for me to spend several hours wandering around, and I found out about many new and exciting upcoming productions. Really looking forward to some of them. And bought some stuff with which to bribe Majo, too. Overall it was a bit overwhelming, but I had a good time. Felt my lack of language skills most keenly, but I think that if I had been able to understand it would have been even more overwhelming.
Very excited about the next Studio Ghibli movie, oh yes.
Nikko was fun, as well. I went largely because my father's been bugging me to since I headed to Japan the first time, but once I was there I enjoyed it in its own right. The train trip out from Tokyo takes a good two hours, winding slowly through steadily growing mountains and small towns, winding through rural fields and tangled stretches of forest. Nikko is large enough to boast two stations, but it's at the terminus of both lines, and its economy largely seems dependant on tourism. For all that it's a good-sized town, splashed liberally along a sloped valley. Several broad peaks capped in snow rise tall behind it, as if the town were merely a stepping-stone on the path to the mountains.
Nikko is famous enough to be the basis of at least two Japanese idioms. One of these literally translates to "see Nikko and die," but the meaning is more "you haven't lived until you've seen Nikko," or perhaps "once you've seen Nikko, you can die fulfilled." Something like that. The other is "you can't say 'magnificent' until you've seen Nikko." Both are referring not simply to the town, but to the shrine complexes located there.
My concern upon arrival was not the shrines, but finding the youth hostel I was supposed to be staying at. It proved to be farther than I expected, naturally an uphill walk, but I arrived to fine weather and ( a remarkably clear view of the mountains. )
And saw, with a distinctly sureal feeling, a group of monkeys wandering around the back yards of the nearby houses. Perhaps a normal thing for quasi-rural Japan, but I'd never seen a monkey outside a zoo before, and so I paused to stare at them and take a picture. ( They were no more cooperative than zoo monkeys, but I managed. )
The youth hostel was small, but a clear sign pointed me off the main road down a tiny cement track that circled to an entrance that faced only a steep drop to the river below. Inside it was cluttered and felt very much like a home, and a kind older woman gave me my paperwork, accepted my money, and cheerfully showed me my room, my bed, and the bath downstairs, accompanied by explanations in broken but perfectly understandable English.
I started the next day's sightseeing early: breakfast, as is the norm for me whether I'm traveling or not, was bread from the local covenience store. I went to the tourist center first, just as they were opening, to aquire the cheaper combo-ticket to all of Nikko's sites (turned out they didn't sell it, but they were able to direct me to where it was), and to pick up the Walker's Guide mentioned in Lonely Planet. I then headed the rest of the way uphill towards the Daiya River. The Daiya is spanned by two bridges at this narrow point; one for cars and the other an arched red bridge, Shinkyo, once reserved for exclusive use of imperial messengers. Now it's reserved for those willing to pay 500 yen to walk across it; I am not one of those people, and was perfectly happy to take pictures of it from the road.
( The story of the bridge is that it was built at the exact place where two massive serpents carried the priest Shodo across in his journey to found his temple. I saw no serpants, but the bridge was pretty, and the water beneath it was a lovely blue-green color between those places it foamed and tossed among the rocks. )
To be continued . . .
I'm making astounding progress in terms of reading lately. I finished Essays Written in Idleness, and then I Am a Cat. Next I tore through Shinsengumi: the Shogun's Last Samurai Corps, and thoroughly enjoyed it. I suppose it whetted my appetite for battles and glory and tragedy, because now I'm flying through a reread of Katharine Kerr's Deverry books, and enjoying them fully as much as I did the first time (which was some years back, during high school). Daggerspell's behind me now, and I'm fast approaching the halfway point in Darkspell. Which means that soon I'll be placing an order with Amazon to get my hands on more of them.
There's much to admire about them. The setting is rich and realistic, a Celtic kingdom modeled on old Wales. The focus is on nobles and princes and the warriors that make or lose their destinies, but there's no shortage of politics to lend urgency to the battles. The magic is well thought-out and far from omnipotent. The characters are deep, each with their own motivations and involved histories. And it even has a race of elves that I can stand, and even like-- I can't tell you how rare that is, because normally I despise elves in fantasy books. They tend to be self-involved, arrogant, annoyingly perfect, insufferably smug, and so holier-than-thou that I pray for someone to come and take them down a peg. And no one ever does, more's the pity. If I lived with elves, I'd constantly be rigging low wires all over the place, just so that I could see them trip and fall on their faces.
Deverry has the Elcyion Lacar, and while they might have some of the above listed qualities, there's enough about them that isn't perfect that I can accept and even like them. No shining, pearly, unlivable cities for them-- they're nomads, traveling with herds of horses and living in painted tents. They may scorn human cities as cramped and dirty, but that's not surprising when they live in a vast open space and never stay in one place long enough for sewage to become a problem. Marvelous craftsmanship, yes. Superior technology? Hells no; they don't even have wheels. They use travois to haul their stuff. Beautiful? Yes. Graceful? Yes. Superior archers? Yes. Perfect? Not on your life. They feud and argue and sleep around just as much as the humans do. They're real, that's what it comes down to for me.
Trying to recall another set of elves I've liked . . . the Sithi, "the Peaceful Ones," from Tad Williams' Memory, Sorrow, and Thorn trilogy comes to mind. They're a little closer to the classic annoying elves, but they still have enough reality to them for me to like them. Overall, I'd say the situation there was the equivalent of taking a scullion from a castle in barely-medieval France and dropping him in the royal court of Heian Japan. If the royal court liked trees a whole lot. Although I haven't read those books in a long time; perhaps I should turn to them after I finish with Deverry.
I liked the elves in Judith Tarr's Hound and the Falcon trilogy and accompanying books, largely because while they themselves were far beyond human, and had a good measure of perfection to them, they lived entirely immersed in the human world. They were fully human in terms of their personalities and their emotions. Beautiful and magical, yes, powerful, but by no means above or detached from that which is normal.
To put it bluntly, I like the kind of elves who can eat too much rich food at a feast and must spend an hour or two in the loo afterwards.
Perfect societies of any sort rankle with me; I could never accept Star Trek (a human society without money or exchange of any kind? Come ON) for much the same reason I can't accept most elves. Perhaps it's a failing on my part; elves are supposed to be a different species, and I'm always wanting them to be human. Which means they must be fallible, capable of pettiness and stupidity as well as breathtaking beauty. That a society should exist out of reach of those sins that humanity is constantly beset by is not a society that I can accept in my heart as true.
And come on, the tripwires would be an excellent idea. You'd laugh, too. And if the elf who fell over laughed as well, I'd swear blood kinship with him and buy him a beer down at Kuttaro. Or even some girly, elf-y fruit-flavored chu-hai. As long as he can put up with me teasing him for drinking the sugary stuff.
There's much to admire about them. The setting is rich and realistic, a Celtic kingdom modeled on old Wales. The focus is on nobles and princes and the warriors that make or lose their destinies, but there's no shortage of politics to lend urgency to the battles. The magic is well thought-out and far from omnipotent. The characters are deep, each with their own motivations and involved histories. And it even has a race of elves that I can stand, and even like-- I can't tell you how rare that is, because normally I despise elves in fantasy books. They tend to be self-involved, arrogant, annoyingly perfect, insufferably smug, and so holier-than-thou that I pray for someone to come and take them down a peg. And no one ever does, more's the pity. If I lived with elves, I'd constantly be rigging low wires all over the place, just so that I could see them trip and fall on their faces.
Deverry has the Elcyion Lacar, and while they might have some of the above listed qualities, there's enough about them that isn't perfect that I can accept and even like them. No shining, pearly, unlivable cities for them-- they're nomads, traveling with herds of horses and living in painted tents. They may scorn human cities as cramped and dirty, but that's not surprising when they live in a vast open space and never stay in one place long enough for sewage to become a problem. Marvelous craftsmanship, yes. Superior technology? Hells no; they don't even have wheels. They use travois to haul their stuff. Beautiful? Yes. Graceful? Yes. Superior archers? Yes. Perfect? Not on your life. They feud and argue and sleep around just as much as the humans do. They're real, that's what it comes down to for me.
Trying to recall another set of elves I've liked . . . the Sithi, "the Peaceful Ones," from Tad Williams' Memory, Sorrow, and Thorn trilogy comes to mind. They're a little closer to the classic annoying elves, but they still have enough reality to them for me to like them. Overall, I'd say the situation there was the equivalent of taking a scullion from a castle in barely-medieval France and dropping him in the royal court of Heian Japan. If the royal court liked trees a whole lot. Although I haven't read those books in a long time; perhaps I should turn to them after I finish with Deverry.
I liked the elves in Judith Tarr's Hound and the Falcon trilogy and accompanying books, largely because while they themselves were far beyond human, and had a good measure of perfection to them, they lived entirely immersed in the human world. They were fully human in terms of their personalities and their emotions. Beautiful and magical, yes, powerful, but by no means above or detached from that which is normal.
To put it bluntly, I like the kind of elves who can eat too much rich food at a feast and must spend an hour or two in the loo afterwards.
Perfect societies of any sort rankle with me; I could never accept Star Trek (a human society without money or exchange of any kind? Come ON) for much the same reason I can't accept most elves. Perhaps it's a failing on my part; elves are supposed to be a different species, and I'm always wanting them to be human. Which means they must be fallible, capable of pettiness and stupidity as well as breathtaking beauty. That a society should exist out of reach of those sins that humanity is constantly beset by is not a society that I can accept in my heart as true.
And come on, the tripwires would be an excellent idea. You'd laugh, too. And if the elf who fell over laughed as well, I'd swear blood kinship with him and buy him a beer down at Kuttaro. Or even some girly, elf-y fruit-flavored chu-hai. As long as he can put up with me teasing him for drinking the sugary stuff.
I cdnuolt blveiee taht I cluod aulaclty uesdnatnrd waht I was rdanieg. The phaonmneal pweor of the hmuan mnid is scuh taht, aoccdrnig to a rscheearch at Cmabrigde Uinervtisy, it deosn't mttaer in waht oredr the ltteers in a wrod are, the olny iprmoatnt tihng is taht the frist and lsat ltteer be in the rghit pclae. The rset can be a taotl mses and you can sitll raed it wouthit a porbelm. Tihs is bcuseae the huamn mnid deos not raed ervey lteter by istlef, but the wrod as a wlohe. Amzanig huh? yaeh and hree I awlyas tghuhot slpeling was ipmorantt!
if you can raed tihs rpsoet it.
The above lifted from
subsiding_leaf's livejournal, and then edited slightly for grammar and style because I'm obsessive like that.
if you can raed tihs rpsoet it.
The above lifted from
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( Hikaru )
I think I'm going to have to skip the characters I don't remember enough about to type coherently on. For instance, that same year I played a Korean-American woman in a Hunter game, but the game was not particularly long-lived, nor was the character particularly detailed. I don't even remember her name, just that she crushed zombies using moves based on WWE.
I think I'm going to have to skip the characters I don't remember enough about to type coherently on. For instance, that same year I played a Korean-American woman in a Hunter game, but the game was not particularly long-lived, nor was the character particularly detailed. I don't even remember her name, just that she crushed zombies using moves based on WWE.
In repayment to myself for surviving the second most miserable class ever today, I'm going to spend some time doing something that is only relevant and enjoyable to me, and that I've been wanting to do for a while: ramble on about my old roleplaying characters.
As a small measure of mercy to those who are far enough from sanity to actually read my journal, I'm sticking them behind cuts. Feel grateful.
( Kamiya Ashura )
As a small measure of mercy to those who are far enough from sanity to actually read my journal, I'm sticking them behind cuts. Feel grateful.
( Kamiya Ashura )
I want to write something lovely and poignant here. Barring that, I want to write some Emrys-story.
I shall do neither. First of all because I'm tired and it's late, and second of all because I want to read more of Kafka on the Shore. Blasted cliffhanger chapters.
Instead I shall post several haiku, none of which were written by me. No, these are my favorites exerted from One Hundred Great Books in Haiku, by David Bader. The book was my Christmas gift from Pam, and in the interests of saving suitcase space I typed my favorites into my laptop and left the book at home.
I typed all of my favorites save The Rise and Fall of Rome, which was just too bloody long.
Inadvertant joke, heh.
( Oh, that the profound and sophisticated art of haiku should come to this . . . damn, but they're funny. )
I shall do neither. First of all because I'm tired and it's late, and second of all because I want to read more of Kafka on the Shore. Blasted cliffhanger chapters.
Instead I shall post several haiku, none of which were written by me. No, these are my favorites exerted from One Hundred Great Books in Haiku, by David Bader. The book was my Christmas gift from Pam, and in the interests of saving suitcase space I typed my favorites into my laptop and left the book at home.
I typed all of my favorites save The Rise and Fall of Rome, which was just too bloody long.
Inadvertant joke, heh.
( Oh, that the profound and sophisticated art of haiku should come to this . . . damn, but they're funny. )
One of my fellow teachers told me about a song that he sometimes sings with his son. My reaction to the possibly deadly cuteness implied by this prompted him to make a translation of the song on my behalf. As Japanese practice, I've retyped it:
夕やけここやけ
夕やけこやけで日が暮れて
山のお寺の鐘が鳴る
お手てつないでみな帰る
からすといっしょうに帰りましょう
子どもが帰ったあとからは
丸い大きなお月さま
小鳥が夢を見るころは
空にはきらきら金の星
His translation, as edited slightly by yours truly:
Evening Glow
Evening glows, the sun is drawing in
At the temple on the hill, the bell is ringing
Everyone, let's go home hand in hand
Let's return home along with the crows
After the children have gone home,
A big full moon appears in the sky
When birds are dreaming in the trees,
Many golden stars are twinkling in the sky.
Now I must learn the melody so that I, too, can sing it. Possibly the only other song I've encountered that was this freaking cute was Momiji's from that one episode of Fruits Basket. Apparently this is one of those songs that all Japanese students once had to learn as part of their music class in elementary school, but it seems like this is now longer the case.
This week is actually a somewhat slow one for me due to exams in the following one (which will undoubtably be even slower). So I have time to do things like, you know, actually study Japanese. And attend student clubs like I've been wanting to since the beginning of the year. And post random things in my livejournal.
Dealing with my school is definately an adjustment process, though I don't say this as a bad thing. In a way, I am admirably suited: getting things done indirectly is somewhat natural to me, despite my protestations that I prefer to confront things directly. Actually, I hate confrontations; I simply force myself into them when having personal problems with another person in order to get said problem taken care of as quickly as possible. Because then I don't have to worry about it anymore. Some people seem to thrive on drama in their personal lives, as evidenced by the number of livejournals devoted to or plagued by continual backbiting and complications ("I wrote a friends-locked entry, but Allison read it through John's computer and now she's mad at me! And she posted a nasty comment about me on her livejournal, and Karen read it and now she's mad at me, too. And I'm mad at John for telling Allison about the comment and then showing it to her, I can't believe he did that!" DISGUSTING. SO DISGUSTING. I hate things like that and will not read any online journal characterized by such foolishness) and snark, but I can't stand it.
In any case, I mentioned to one of my supervisors a while back that I would be interested in making a bulletin board for English club, and could he think of any free space that I could use. His response was, "hm, I can't think of anywhere," which can be translated to "no." A similar lack of enthusiasm regarding poster advertisements put a damper on my plans to try to boost membership in English Club (current membership = 0).
So I spoke to another English teacher, Sugishima-sensei, who is directly involved with English Club but who is not my supervisor, and mentioned some of my ideas. And then at some point she spoke to my supervisor and brought up said ideas, and then he spoke to the Vice Principal about it, who referred him to the Discipline and Club Activities group of teachers . . . who I happen to sit with in the teacher's room, ironically enough. And then he came to talk to me, and told me that my ideas might be possible, but first I have to submit a list of them to the Discipline and Club Activities Comittee for approval.
Actually, that's not precisely true. First I have to submit a list of my ideas to the English teachers, who will discuss it in the meeting that they have every Thursday afternoon (I have not been invited to these meetings, which despite my curiosity is fine with me. And it gives them a chance to talk about me if they want to . . . which I generally approve of for the simple reason that the teachers I have really good classes with might perhaps mention said classes to the teachers I don't have such good classes with, and then maybe the latter will adopt some of the behaviors of the former. See? Deeply indirect). Anyway, once they've discussed it, one of them will probably translate it into Japanese and submit it to the Comittee, who will then discuss it, approve or disaprove, and hand it to my supervisor (despite the fact that we all sit together in the teacher's room; language barrier and all), who will then tell me the result. Although he might check with the Vice Principal first.
Although to make the list I have to first brainstorm, then talk to Sugishima-sensei to get her opinions, then draft the list and possibly check with Sugishima-sensei again, then give it to my supervisor and perhaps go over it with him so that he understands it . . .
I take back all previous comments about having free time. Better get to work.
夕やけここやけ
夕やけこやけで日が暮れて
山のお寺の鐘が鳴る
お手てつないでみな帰る
からすといっしょうに帰りましょう
子どもが帰ったあとからは
丸い大きなお月さま
小鳥が夢を見るころは
空にはきらきら金の星
His translation, as edited slightly by yours truly:
Evening Glow
Evening glows, the sun is drawing in
At the temple on the hill, the bell is ringing
Everyone, let's go home hand in hand
Let's return home along with the crows
After the children have gone home,
A big full moon appears in the sky
When birds are dreaming in the trees,
Many golden stars are twinkling in the sky.
Now I must learn the melody so that I, too, can sing it. Possibly the only other song I've encountered that was this freaking cute was Momiji's from that one episode of Fruits Basket. Apparently this is one of those songs that all Japanese students once had to learn as part of their music class in elementary school, but it seems like this is now longer the case.
This week is actually a somewhat slow one for me due to exams in the following one (which will undoubtably be even slower). So I have time to do things like, you know, actually study Japanese. And attend student clubs like I've been wanting to since the beginning of the year. And post random things in my livejournal.
Dealing with my school is definately an adjustment process, though I don't say this as a bad thing. In a way, I am admirably suited: getting things done indirectly is somewhat natural to me, despite my protestations that I prefer to confront things directly. Actually, I hate confrontations; I simply force myself into them when having personal problems with another person in order to get said problem taken care of as quickly as possible. Because then I don't have to worry about it anymore. Some people seem to thrive on drama in their personal lives, as evidenced by the number of livejournals devoted to or plagued by continual backbiting and complications ("I wrote a friends-locked entry, but Allison read it through John's computer and now she's mad at me! And she posted a nasty comment about me on her livejournal, and Karen read it and now she's mad at me, too. And I'm mad at John for telling Allison about the comment and then showing it to her, I can't believe he did that!" DISGUSTING. SO DISGUSTING. I hate things like that and will not read any online journal characterized by such foolishness) and snark, but I can't stand it.
In any case, I mentioned to one of my supervisors a while back that I would be interested in making a bulletin board for English club, and could he think of any free space that I could use. His response was, "hm, I can't think of anywhere," which can be translated to "no." A similar lack of enthusiasm regarding poster advertisements put a damper on my plans to try to boost membership in English Club (current membership = 0).
So I spoke to another English teacher, Sugishima-sensei, who is directly involved with English Club but who is not my supervisor, and mentioned some of my ideas. And then at some point she spoke to my supervisor and brought up said ideas, and then he spoke to the Vice Principal about it, who referred him to the Discipline and Club Activities group of teachers . . . who I happen to sit with in the teacher's room, ironically enough. And then he came to talk to me, and told me that my ideas might be possible, but first I have to submit a list of them to the Discipline and Club Activities Comittee for approval.
Actually, that's not precisely true. First I have to submit a list of my ideas to the English teachers, who will discuss it in the meeting that they have every Thursday afternoon (I have not been invited to these meetings, which despite my curiosity is fine with me. And it gives them a chance to talk about me if they want to . . . which I generally approve of for the simple reason that the teachers I have really good classes with might perhaps mention said classes to the teachers I don't have such good classes with, and then maybe the latter will adopt some of the behaviors of the former. See? Deeply indirect). Anyway, once they've discussed it, one of them will probably translate it into Japanese and submit it to the Comittee, who will then discuss it, approve or disaprove, and hand it to my supervisor (despite the fact that we all sit together in the teacher's room; language barrier and all), who will then tell me the result. Although he might check with the Vice Principal first.
Although to make the list I have to first brainstorm, then talk to Sugishima-sensei to get her opinions, then draft the list and possibly check with Sugishima-sensei again, then give it to my supervisor and perhaps go over it with him so that he understands it . . .
I take back all previous comments about having free time. Better get to work.
Tags:
- geekery,
- japan,
- jet,
- life stuff,
- poetry
Have spent a day that was either deeply unproductive or astoundingly productive, or possibly both. Have placed most of this entry behind cuts for the sake of not being horribly annoying. Don't expect me to make a habit of being considerate with my lj entries, though.
( Lazy Saturday . . . )
( Poetry . . . )
A small child is screaming bloody murder beyond my balcony. There is a gread deal of humanity crammed into a very small amount of space here; perhaps the greatest feat of those who live in this country is to create an impression of infinite space where there is in fact very little. It is not one that I can imitate, as my nature is given to clutter and overcrowding, a riot of colors and motion in a small space.
( More poetry . . . )
( Question and answer . . . )
The heart has reasons about which reason knows nothing.
~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~
Plato having defined man to be a two-legged animal without feathers, Diogenes plucked a cock and brought it into the Academy, and said, ‘This is Plato’s man.’ On which account this addition was made to the definition: ‘With broad flat nails.’
( Missing people . . . )
Found while re-organizing my bookmarks: the webpage of Heinz Insu Fenkl. I was perhaps a little in love with him while I was reading Memories of my Ghost Brother, and his page is very interesting to browse through. I especially recommend the links at the bottom, particularly if you are at all curious about comparative mythology.
( Lazy Saturday . . . )
( Poetry . . . )
A small child is screaming bloody murder beyond my balcony. There is a gread deal of humanity crammed into a very small amount of space here; perhaps the greatest feat of those who live in this country is to create an impression of infinite space where there is in fact very little. It is not one that I can imitate, as my nature is given to clutter and overcrowding, a riot of colors and motion in a small space.
( More poetry . . . )
( Question and answer . . . )
The heart has reasons about which reason knows nothing.
~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~
Plato having defined man to be a two-legged animal without feathers, Diogenes plucked a cock and brought it into the Academy, and said, ‘This is Plato’s man.’ On which account this addition was made to the definition: ‘With broad flat nails.’
( Missing people . . . )
Found while re-organizing my bookmarks: the webpage of Heinz Insu Fenkl. I was perhaps a little in love with him while I was reading Memories of my Ghost Brother, and his page is very interesting to browse through. I especially recommend the links at the bottom, particularly if you are at all curious about comparative mythology.
Tags:
Random conversation regarding Gankutsuou and it's relation to the Count of Monte Cristo:
Me: Well, as far as I can tell, it seems fairly true to the book so far.
Me: Except for the gay thing.
Me: And, you know, the space thing.
Me: Oh, and the vampire thing.
Download faster, blast it . . .
Me: Well, as far as I can tell, it seems fairly true to the book so far.
Me: Except for the gay thing.
Me: And, you know, the space thing.
Me: Oh, and the vampire thing.
Download faster, blast it . . .
Sap, so I don't have to go looking for it again.
Gods, but I'm melodramatic. I blame
yayoikh, not for the melodrama (which is almost exclusively my fault) but for making me think about things like this. ( Anyway, I'll clean up this person's translation later, when it's not so disgustingly late. Stolen from songlyrics.net. )
Gods, but I'm melodramatic. I blame
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